A Study of the Transvestite(s) Demasculinized in Alfred, Lord Tennyson’s “The Princess”

  • Shouvik Narayan Hore
Keywords: online English research journal, research papers publisher, UGC approved journal, Peer reviewed literary journal, Shouvik Narayan Hore, A Study of the Transvestite(s) Demasculinized in Alfred, Lord Tennyson’s “The Princess”

Abstract

This paper is divided into two sections. The first section touches upon the transformation of the male protagonists into women via cross-dressing – its implied meaning and meaninglessness, the discourse of transcendence taking flight from masculinity and its overall connotations. The second section argues why such an action of re-masculinizing serves nothing more than achieve an ultimate obscure deferral of the de-masculinized male, taking the female under its wings in the process.

Downloads

Download data is not yet available.

Author Biography

Shouvik Narayan Hore

Shouvik Narayan Hore has published two books of poetry The Horizon of Thoughts and Poet’s Choice (Vol. 2). He has published poetry in the US, the UK and in various Indian anthologies. His research papers and treatises have appeared in Gnosis, Camaraderie, IJLL and The Literary Voyage, and has won a National Poetry competition organized by the Poona College of Arts, Science and Commerce. He has done M.Phil. from the University of Hyderabad, Telangana.

References

Works Cited
1. Bloom, Harold ed. Alfred, Lord Tennyson. Infobase Publishing, 2010.
2. Clapp-Itnyre, Alisa. “Marginalized Musical Interludes: Tennyson’s Critique of Conventionality in The Princess”. Victorian Poetry, vol. 38, no. 2, 2000, pp. 227-248. PROJECT MUSE, 10.1353/vp.2000.0013. Accessed 8 Apr, 2018.
3. Hall, Donald E. “Anti-Feminist ideology of Tennyson’s “The Princess.”” Modern Language Studies, vol. 21, no. 4, 1991, pp. 49-62. JSTOR, 10.2307/3194982. Accessed 8 April, 2018.
4. Hill Jr., Robert W ed. Tennyson’s Poetry. W.W. Norton and Company, 2005.
5. Johnston, Eileen Tess. “This were a Medley”: Tennyson’s The Princess.” ELH, vol. 51, no. 3, 1984, pp. 549-574. JSTOR, 10.2307/2872937. Accessed 8 April, 2018.
6. Joseph, Gerhard. “Tennyson’s Three Women: The Thought Within the Image”. Victorian Poetry, vol. 19, no. 1, 1981, pp. 1-18. JSTOR, http://www.jstor.org/stable/40003143. Accessed 8 Apr, 2018.
7. Kincaid, James R. Tennyson’s Major Poems. Yale University Press, 1975.
8. Stone, Marjorie. “Genre Subversion and Gender Inversion: “The Princess and “Aurora Leigh.”” Victorian Poetry, vol. 25, no. 2, 1987, pp. 101-127. JSTOR. http://www.jstor.org/stable/40002089. Accessed 11 May, 2018.
9. Stott, Rebecca ed. Tennyson. Longman, 1996.
10. Turner, Paul. Tennyson. Routledge & Kegan Paul, 1976.
11. Urdang, Lawrence ed. The Random House Dictionary of the English Language. Allied Publishers Private Limited, 1972.
12. Watson, Jeanie. “Tennyson’s “The Princess”: The Ideal of “Like in Difference.”” South Central Review, vol. 4, no. 1, 1987, pp. 63-81. JSTOR, 10.2307/3189602. Accessed 8 Apr, 2018.
13. Wright, Barbara Herb. “Tennyson, the Weird Seizures in The Princess and Epilepsy.” Literature and Medicine, vol. 6, 1987, pp. 61-76. PROJECT MUSE, 10.1353/lm.2011.0022. Accessed 8 Apr, 2018.
Published
2019-02-05
How to Cite
Hore, S. N. “A Study of the Transvestite(s) Demasculinized in Alfred, Lord Tennyson’s ‘The Princess’”. Contemporary Literary Review India, Vol. 6, no. 1, Feb. 2019, pp. 24-43, https://mail.literaryjournal.in/index.php/clri/article/view/289.
Section
Research Papers

Most read articles by the same author(s)