Sylvia Plath and the Fetishization of Suicide
Abstract
For generations of readers and critics Sylvia Plath’s suicide has been a symbolic event resulting from the same sadness that her art embodies, but isn’t that obvious? Don’t artists always live symbolic lives? Sylvia’s suicide very obviously affects our interpretation of her work, but the cult that surrounds Sylvia, her sadness, and her suicide reveal something about our society as a whole. It’s a truth we often shy away from, and that truth is that the artist is better dead than alive for a society that revels intensely in masochistic sadism.
The article draws in on that with the aid of Guru Dutt's classic Pyaasa.
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References
2. Hughes, Frieda. Stonepicker and The Book of Mirrors. 2009.
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